A 2022 Sundance Film Festival Discovery

Today a coworker was kind enough to share that this year’s virtual Sundance Film Festival is offering $20 tickets for single films. I decided to browse the website for any movies I might be interested in paying $20 to see. One particular movie caught my eye: Alice, staring Keke Palmer and Common. Here’s the synopsis:

Alice (Keke Palmer) spends her days enslaved on a rural Georgia plantation restlessly yearning for freedom. After a violent clash with plantation owner Paul (Jonny Lee Miller), Alice flees through the neighboring woods and stumbles onto the unfamiliar sight of a highway, soon discovering that the year is actually 1973. Rescued on the roadside by a disillusioned Black activist named Frank (Common), Alice uncovers the lies that have kept her enslaved and the promise of Black liberation.

Okay, am I crazy or does this sound a lot like my story “Runaway“?? What are the odds that I would write a story with almost the exact same premise of a feature film premiering at the 2022 Sundance Film Festival, right?

Let me be clear, when I wrote “Runaway,” I’d never heard of this movie, so let’s not throw around the “P” word. Besides, I was high on caffeine and 10 hours deep into a Twilight Zone blogging (and watching) marathon, so any creator not named Rod Serling was far from my mind at the time of writing.

In any case, time travel is not a novel trope in fiction, nor is time travel to or from the antebellum period, for that matter. One book that immediately comes to mind is Octavia E. Butler’s Kindred (high on the recommendation list, if you haven’t read it already). And “Runaway,” specifically, was inspired by a Twilight Zone episode. So, while I can’t call my idea 100% original, it still fascinates me how I and the movie’s writer and director, Krystin Ver Linden, had the exact same setup for how our stories would begin.

Great minds, huh?

Anyway, I think I may buy tickets for this one. Maybe I’ll get ideas for an extended version of this Twilight Zone “episode.” But more than likely, I’ll just relish in the belief (now proven) that my stories are fully capable of becoming Hollywood feature films.

I just gotta write and publish them faster.