Welcome to Week 2 of BlaPoWriMo!
For the uninitiated, Black Poetry Writing Month (BlaPoWriMo) is a month-long writing challenge that combines the ambition of National Poetry Writing Month (NaPoWriMo) with the history, education, and self-reflection of Black History Month.
This year, we are going on a journey through the eras of black history and poetry.
How did you enjoy your first week of writing slavery inspired poems? I’ll admit some days were harder to write than others. Having to open those wounds that run deeper than the generations can be troubling. The fact that human beings could commit such atrocities against other human beings, often using Christianity as a defense of their actions, is still baffling to me.
If you want to continue writing poetry inspired by the era slavery, feel free to do so! The themes I provide each week are only optional. Just remember to tag your posts BlaPoWriMo, so I can find them and give you a shoutout!
Now, let’s skip ahead to the next era: The Harlem Renaissance!
I know. I’m brushing over about 50 years worth of great literature from the post-Civil War / Reconstruction era, but I need to leave something to be desired for next February, right? 😉
If you want to do your own research on the poets of this era, one of the most well-known was Paul Laurence Dunbar. (His poem “Sympathy” inspired Maya Angelou’s I Know Why the Caged Bird Sings.) Another poet from this era was James Weldon Johnson, who wrote “Lift Every Voice and Sing,” also known as the Black National Anthem.
The Harlem Renaissance took place during the 1920s and lasted until about 1940.
The Harlem Renaissance was like a great awakening of art and literature for Black Americans. During this period, Black America saw a cultural explosion of creativity. It’s center was in Harlem, a district in New York City, though it wasn’t limited to black writers and artists living in New York. In fact, it inspired a similar movement known as Négritude among French-speaking blacks across the African diaspora, including in France, the Caribbean, and the West Indies.
While the era of slavery can be described as a time when most whites questioned the intelligence of blacks (remember those authentication papers written for Phillis Wheatley), the Harlem Renaissance was the confirmation of black intelligence, black excellence, black achievement, black genius, and all the above. There was an outpouring of publications not only in poetry, but also in the genres of fiction, drama, personal essay, music, dance, and visual art.
The Harlem Renaissance laid the ground work for black expression.
The creativity of black writers and artists of this period was driven by a sense of purpose, the artists using their craft to express a response to social conditions and to proclaim their dignity and humanity in the face of poverty and racism.
The most famous poet of this time period is of course Langston Hughes. Others include Countee Cullen—whose Color (1925) was the first book of poetry written by an African American to be published by a major American publishing house (Harper & Brothers) since Paul Laurence Dunbar—Jamaica-born Claude McKay (though he wasn’t the first “African American,” his Harlem Shadows was published in 1922 by Harcourt, Brace), Anne Spencer, Jean Toomer, Sterling A. Brown, and many more.
To get you started with this week’s Harlem Renaissance-themed poems, I won’t share a poem by Langston Hughes. No, that would be too easy. Everyone knows Langston Hughes! Instead, I’m giving you this poem by the lesser-known Anne Spencer to inspire you for this next week of writing. Of course, if you need further inspiration, feel free to look up the other poets mentioned in this post.
Most things are colorful things—the sky, earth, and sea.
Black men are most men; but the white are free!
White things are rare things; so rare, so rare
They stole from out a silvered world—somewhere.
Finding earth-plains fair plains, save greenly grassed,
They strewed white feathers of cowardice, as they passed;
The golden stars with lances fine
The hills all red and darkened pine,
They blanced with their wand of power;
And turned the blood in a ruby rose
To a poor white poppy-flower.
There are many different versions of this poem online. The above version came from the Vintage Book of African American Poetry (2000), edited by Michael S. Harper & Anthony Walton
So, are you ready for BlaPoWriMo?
You don’t have to be black to participate. This is not a space for discrimination but education. As long as you write a poem every day this month and your poem aligns with the theme for the week or focuses on blackness/race in general, there’s no reason not to join!
Be sure to add your links to the prompt posts for the week (ex. link your “Harlem Renaissance” poems to this post) so others can read your poem. You can also tag your posts BlaPoWriMo so we can find you in the WordPress Reader.
By the way, I’m on Twitter! I previously created a separate account for BlaPoWriMo, but that became too much of a hassle, so follow me @Nortina_Mariela and tweet the hashtag #BlaPoWriMo. I’ll be retweeting your tweets all month long!
Will you join the challenge this month? I’m excited to see the poems you create!
Happy Black Poetry Writing Month!