Whitmore pulls the comforter to his chin, and she snatches her hand back as he rolls over to face the wall, stretching his feet to the end of the bed before drawing them back into the fetal position. Jessica lies stiff until his breathing returns to a steady rhythm, and then she dashes out of the bed, sprints toward the window where her little friend has long since flown away, and the room feels deafeningly silent, as if it’s not yet morning, as if the sun hasn’t risen, as if she is back in last night and Whitmore is still breathing down her neck, pressuring her to sleep with him, refusing to take no for an answer, already in the process of laying his claim.
She spins around and watches Whitmore’s chest rise and fall. She looks down at her breasts, goosebumps rising under the spinning ceiling fan above her. Suddenly the room feels too small and Whitmore too close. It’s the last place she wants to be when he finally does wake up, standing at the foot of the bed, fully naked, nipples harden from the chill in the air.
She bends over the dresser, feeling exposed, quickly puts on a pair of sweats, tames her breasts with a bra, throws on the first t-shirt she sees, Wrightsville Beach splayed across the chest. She reaches under her bed for the worn pumas, the only tennis shoes she owns, and steps into them, no thought about socks. She creeps out the door, closing it behind her, down the hall a little faster now, picking up pace, as she grabs the keys and her phone off the kitchen counter, where she left them last night, on her way out front door.
By the time she reaches the stairway she’s running. And when she gets to the bottom, she’s sprinting through the parking lot, dodging Whitmore’s Sonata, parked crookedly in the space reserved for her. She continues to the sidewalk that forms a semicircle around the back of the next building in her complex, turns to run parallel to the road for a quarter of a mile, before veering off into the scenic greenway leading into the heart of town. She runs the whole time and doesn’t stop until she can no longer see her apartment jetting out above the trees when she turns to look over her shoulder.
When she stops, she wants to collapse. She plants her hands on her knees, puts her face between her legs and gulps in sharp inhales of breath. Her heart is breaking through her chest, her lungs on fire, she’s never run like this before. In fact, she can’t remember ever having to run, except in required gym class in high school, and twice she tripped over her own feet, and dove face first into the hardwood floor, sliding across the court, the high squeak echoing in her ear as her skin on her cheeks tore.
How pathetic is she that’s she’s let Whitmore run her out of her own damn apartment? She looks back, then takes off again, a bench in sight. When she gets there, the thought crosses her mind that teenagers could have had sex here, homeless men could have masturbated here—the trees surrounding them, extensive branches heavy with leaves overhead to cover their secrets—bugs crawling in and out of the cracks, bird droppings in hidden places. But she’s too tired to care. So she falls onto the bench, spreads her legs, throws her head over the back, waiting for all of her feeling to come back to her.
When a real jogger passes by, she folds into faux stretches, but the woman barely notices, eyes on the path, ears plugged in. Maybe that’s what Jessica needs to relax herself too. She takes out her phone and turns on the FM radio station app. She finds herself tuning to 107.1. The sound is fuzzy coming in, because she doesn’t have headphones to work as an antenna, but she turns the volume up, holds the phone to her ear, and lies back on the bench, listening to the croons of Shawn Mendez push through the static, and the soulful melancholic cries of Sam Smith, and when she begins to drift, a familiar name comes to her ear.
“Good morning, good morning, Triad! You’re listening to 107.1 the B.E.A.T. The time is 10:21 AM. I’m your boy, D.J. Ronnie G, and I’m here with our host . . .”
Jessica perks up when she hears his voice, low and nonchalant like last night, slightly muffled from his lips being too close to the microphone. Like a drum roll, he mumbles, “The Girlfriend Whisperer.”
© Nortina Simmons