V is for… [V]iews #AtoZChallenge

Plans change. When you start building, you don’t expect to find an underground river beneath your foundation. When a bride-to-be hires you to design her gown, with intricate lacing and beading, you don’t expect for her to tell you that the wedding is in a week. When you have a novel all planned out and eager to be written for NaNoWriMo (which seems so far away now), you don’t expect to eliminate what you thought could have been a main character—and certainly a co-narrator—along with their subsequent subplots.

But that’s exactly what I did.

The editor bitch in me has awoken (I knew it was time), and she’s itching to make some changes. Better to change things now before I start writing. I know all too well how editing a story before it’s even finished can completely derail progress.

So what’s changed?

Reviewing my latest posts, I’ve discovered that Detective Maye isn’t as essential to the plot of the story as I had originally intended. While I won’t ax his character altogether (we still have a “Lost Boy” to find) his part will get significantly reduced to make room for Tony, who’s character grows more and more with each new post.

A few things contributed to this change. First, I’ve barely mentioned Detective Maye since K is for Kindred, and his last dedicated post was I is for Ice Cold, which seems like ages ago. However, what really sealed Maye’s fate was the outline, or more specifically, the fact that if you sneezed, you probably would’ve missed him.

I’ve said before that Lost Boy is a family story, and the outline was an obvious clue of which family I needed to focus on. So I’m not going to force a subplot that simply isn’t there. A good writer (or maybe a better editor) knows when a character has overstayed his welcome. The three scenes that Maye had (without Leslie) didn’t really affect the plot much, and I don’t think they would be missed if I tossed them, so…

Let it gooooo!

I don’t want to completely give up on the Detective Maye character, which I think is very strong on its own, so stay tuned—you make see more of him on this blog in the form of a separate short story or flash fiction.

However, concerning Lost Boy, Maye is now just the cop Leslie enlists to search for Gregory. He won’t have any dedicated chapters, although I will keep the multiple points of view structure (for now), alternating between Leslie and her son Tony. With Leslie and Tony as the narrators (actually, I think I prefer Leslie’s chapters to be in first person, and Tony’s in third), you will get to see the drastic contrast in how the two main characters react to Gregory’s disappearance.

Well, that’s it for today’s post. A short one, I know—I’m just relieved to post it at a reasonable hour for once. I haven’t decided what “W” is going to be about. I’m debating between a post on potential research interview questions for Leslie’s prison ministry (which is currently still a plot point until editor bitch decides otherwise), or another backstory on Tony. What’s your view? Which do you prefer?

By the way, if you’re wondering if anything else will change with the novel between now and NaNoWriMo, the answer is a definite YES. I still need a real title!

Until tomorrow, A to Z-ers!

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